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| P.G. Six (US) REVIEW | |
| Slightly Sorry (2007) | |
| P-Model (Japan) REVIEW | |
| Fune (1995) | |
| Paatos (Sweden) REVIEWS | |
| Sensors (2008) Breathing (2011) |
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| Chase Pagan (US) REVIEW | |
| Bells & Whistles (2009) | |
| Gregory Page (US) REVIEW | |
| Love Made Me Drunk (2004) | |
| Florent Pagny (France) REVIEW | |
| Châtelet les Halles (2000) | |
| Pain of Salvation (Sweden) REVIEW | |
| Road Salt One (2010) | |
| Liz Painter Band (US) REVIEW | |
| Home Before Dark (2007) | |
| Palaxy Tracks (US) REVIEWS | |
| Cedarland (2003) Twelve Rooms (2005) |
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| Pale (Germany, indie) REVIEW | |
| Another Smart Move (1999) | |
| Owen Pallett (Canada) REVIEW | |
| Heartland (2010) | |
| Pangée (Québec, progressive) REVIEW | |
| Hymnemonde (1995) | |
| Panoptikon Orchestra (Sweden) REVIEW | |
| The Joyless Street (2004) | |
| Pantaleimon (UK) REVIEW | |
| The Butterfly Ate the Pearl (2013) | |
| Panthers (US) REVIEW | |
| Things Are Strange (2004) | |
| Pantommind (Bulgaria) REVIEW | |
| Shade of Fate (2005) | |
| The Pantones (US) REVIEW | |
| Sleepless Nights, Silent Mornings (2005) | |
| Stefano Panunzi (Italy) REVIEW | |
| Timelines (2005) | |
| Paper Chase (US) REVIEW | |
| Young Bodies Heal Quickly, You Know (2000) | |
| Paper Route (US) REVIEW | |
| Absence (2009) | |
| Papercuts (US) REVIEW | |
| Fading Parade (2011) | |
| Parallel Worlds (Greece, electronic) REVIEW | |
| Far Away Light (2005) | |
| Friedrich Paravicini (Germany) REVIEW | |
| Mr. Mandom (2011) | |
| Elena Moon Park & Friends (US) REVIEW | |
| Rabbit Days & Dumplings (2012) | |
| Patrick Park (US) REVIEWS | |
| Loneliness Knows My Name (2003) Everyone's in Everyone (2007) |
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| Zeena Parkins & Ikue Mori (US, electronica) REVIEW | |
| Phantom Orchard (2004) | |
| Aaron Parks (US) REVIEW | |
| Invisible Cinema (2008) | |
| Matthew Parmenter (US) REVIEWS | |
| Astray (2004) Horror Express (2008) |
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| Pas Chic Chic (Québec) REVIEW | |
| Au Contraire (2008) | |
| Passenger (UK) REVIEW | |
| Whispers (2014) | |
| Patrice (Germany) REVIEW | |
| One (2010) | |
| Pattern is Movement (US) REVIEW | |
| The (Im)possibility of Longing (2004) | |
| Polly Paulusma (UK) REVIEW | |
| Fingers & Thumbs (2007) | |
| Pavement (US) REVIEW | |
| Brighten the Corners (1997) | |
| Pawa Up First (Québec) REVIEW | |
| Scenario (2006) | |
| Le Payaco (Slovakia) REVIEW | |
| Všetko sa Dá Zjest' (2005) | |
| Kendall Payne (US) REVIEW | |
| Jordan's Sister (1999) | |
| Pazzo Fanfano di Musica (Japan, progressive) REVIEW | |
| Pazzo Fanfano di Musica (1989) | |
| Julie Peel (Québec) REVIEW | |
| Near the Sun (2009) | |
| Peixe: Avião (Portugal) REVIEW | |
| 40.02 (2008) | |
| Pelican (US) REVIEW | |
| Forever Becoming (2013) | |
| Piero Pelù (Italy) REVIEW | |
| In Faccia (2006) | |
| Pendragon (UK, neo-prog) | |
| Love Over Fear (2020) | |
| Michelle Penn (US) REVIEW | |
| 2 Good 4 U (2001) | |
| La Pentola di Papin (Italy) REVIEW | |
| Zero-7 (1977) | |
| Pepe Deluxé (Finland) REVIEWS | |
| Spare Time Machine (2007) Queen of the Wave (2012) |
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| The Peppermint Kicks (US) | |
| The Peppermint Kicks (2021) | |
| Victor Peraino's Kingdom Come (US) REVIEW | |
| Journey in Time (2014) | |
| Perfect Blue Sky (Sweden, psych) REVIEW | |
| Emerald (2015) | |
| Perihelion Ship (Finland) REVIEW | |
| A Rare Thunderstorm in Spring (2016) | |
| Perishers (Sweden) REVIEW | |
| Let There Be Morning (2005) | |
| Lee Perk (Spain) REVIEW | |
| Lee Perk (2013) | |
| Rain Perry (US) REVIEW | |
| Cinderblock Bookshelves (2008) | |
| Persephone's Dream (US, progressive) REVIEW | |
| Pan: An Urban Pastoral (2010) | |
| Nina Persson (Sweden) REVIEW | |
| Animal Heart (2014) | |
| Jorge Pescara (Brazil) REVIEWS | |
| Grooves in the Temple (2005) Knight Without Armour (2012) |
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| Duane Peters & Pascal Briggs (US) REVIEW | |
| Suicide Child (2003 single) | |
| Andrew Peterson (US) REVIEW | |
| Clear to Venus (2001) | |
| Randy Pevler (US, hard rock) REVIEW | |
| Directions (2011) | |
| Madeleine Peyroux (US) REVIEW | |
| Dreamland (1996) | |
| Phenomenal Handclap Band (US) REVIEW | |
| The Phenomenal Handclap Band (2009) | |
| Phideaux (US, progressive) REVIEWS | |
| Chupacabras (2005) 313 (2006) Doomsday Afternoon (2007) Number Seven (2009) Snowtorch (2011) |
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| Britta Phillips & Dean Wareham (US) REVIEWS | |
| L'Avventura (2003) He's Coming Home (2007 single) [as Dean & Britta with Sonic Boom] |
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| Charlie Phillips (US) REVIEW | |
| What it is (2012) | |
| Grant-Lee Phillips (US) REVIEW | |
| Nineteeneighties (2006) | |
| Gretchen Phillips (US) REVIEW | |
| I Was Just Comforting Her (2009) | |
| Rain Phoenix (US) REVIEW | |
| Time is the Killer (2019 single) | |
| Phoids (US) REVIEW | |
| The Phoids (1998) | |
| Phonograph (US) REVIEW | |
| Phonograph (2006) | |
| Phosphorescent (US) REVIEW | |
| Here's to Taking it Easy (2010) | |
| Mark Pickerel & His Praying Hands (US) REVIEWS | |
| Snake in the Radio (2006) Cody's Dream (2008) |
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| Picture Palace Music (Germany/Austria) REVIEW | |
| Midsummer: Music for Sound Divers & Baptism Ceremonies (2010) | |
| Rebecca Pidgeon (UK) REVIEW | |
| Bad Poetry (2014) | |
| An Pierlé (Belgium) REVIEWS | |
| Helium Sunset (2002) An Pierlé & White Velvet (2006) |
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| Pigeonhed (US) REVIEW | |
| The Full Sentence (1997) | |
| Pigface (UK/US) REVIEW | |
| A New High in Low (1997) | |
| Pilate (Canada) REVIEW | |
| Sell Control for Life's Speed (2006) [a.k.a. Into the West, by Pilot Speed] | |
| Pilgrym (UK, progressive) REVIEW | |
| Pilgrimage (2004) | |
| Pilot Balloon (Germany) REVIEW | |
| Ghastly Good Cheer (2004) | |
| Courtney Pine (UK, jazz) REVIEW | |
| Resistance (2005) | |
| Pine Valley Cosmonauts (US) REVIEW | |
| The Executioner's Last Songs, Vols. 2 & 3 (2003) | |
| Pineapple Thief (UK, progressive) REVIEWS | |
| 137 (2001) Variations on a Dream (2003) 12 Stories Down (2005) [reissued, remixed, as 10 Stories Down] Little Man (2006) What We Have Sown (2007) Tightly Unwound (2008) Someone Here is Missing (2010) All the Wars (2012) Magnolia (2014) |
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| Pinkroom (Poland, progressive metal) REVIEW | |
| Psychosolstice (2009) | |
| Pistol & Bart (Norway) REVIEW | |
| ...Rir Igjen (2013) | |
| Plackband (Netherlands, progressive) REVIEW | |
| After the Battle (2002) | |
| Robert Plant/Alison Krauss (UK/US) | |
| Raise the Roof (2021) | |
| Plastic Overlords (US) | |
| Plastic Overlords (2000) | |
| Plastics Hi-Fi (US) REVIEW | |
| Home Brewed (2000) | |
| Plasticsoul (US) REVIEW | |
| Peacock Swagger (2009) | |
| Platinum Weird (UK) REVIEW | |
| Make Believe (2006) | |
| Ego Plum & the Ebola Music Orchestra (US) REVIEW | |
| The Rat King (2007) | |
| Plumb (US) REVIEW | |
| Candycoatedwaterdrops (1999) | |
| Mike Plume Band (Canada) REVIEW | |
| Song & Dance, Man (1997) | |
| Pofter & the Allstar Syndicate (Germany) REVIEW | |
| Resurrecting the Magus (2007) | |
| Pogo Pops (Norway) REVIEW | |
| Crash (1993) | |
| Pola (Poland) REVIEW | |
| Wbrew (2009) | |
| Polifemo (Argentina) REVIEW | |
| Polifemo II (1977) | |
| Steve Poltz (Canada) REVIEW | |
| Traveling (2008) | |
| Polytechnic (UK) REVIEW | |
| Down Til Dawn (2007) | |
| Lola Ponce (Argentina) REVIEW | |
| Il Diario di Lola (2008) | |
| Pony Harvest (UK) REVIEW | |
| An Individual Note: of Music, Sound & Electronics (2006) | |
| Poor Rich Ones (Norway) REVIEW | |
| Happy Happy Happy (2000) | |
| Poorfolk (Canada) REVIEW | |
| Poorfolk (2004) | |
| Pop Machine (Belgium) REVIEW | |
| Sage (2000 single) | |
| Popol Vuh (Germany) REVIEW | |
| Aguirre (1975) | |
| Raul Porchetto (Argentina) | |
| Mundo (1979) | |
| Porcupine Tree (UK, progressive/psych) REVIEWS | |
| Signify (1996) Deadwing (2005) Fear of a Blank Planet (2007) The Incident (2009) |
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| Willy Porter (US) REVIEW | |
| How to Rob a Bank (2009) | |
| Porter Block (US) REVIEW | |
| The Gowanus Yacht Club (2009) | |
| Poseidotica (Argentina) REVIEW | |
| Intramundo (2005) | |
| Possibilities (US) REVIEW | |
| Way Out (2002) | |
| Grace Potter (& the Nocturnals) (US) REVIEWS | |
| This is Somewhere (2007) The Lion the Beast the Beat (2012) Midnight (2015) |
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| Jack Potter (US, progressive) REVIEW | |
| Celestial Adventures (2013) | |
| Jo Potter (US) REVIEW | |
| 8 Circles (2003) | |
| Doug Powell (US) REVIEW | |
| The Lost Chord (2002) | |
| Power 13 (US) | |
| Soon (2002) | |
| The Prayers & Tears of Arthur Digby Sellers (US) REVIEW | |
| The Mother of Love Emulates The Shapes of Cynthia (2005) | |
| Preacher Boy (US) REVIEW | |
| Gutters & Pews (1996) | |
| Predmestje (Yugoslavia) REVIEW | |
| Brez Naslova (1977) | |
| Premiata Forneria Marconi (Italy, progressive) REVIEW | |
| Piazza del Campo (2005) [as PFM + Pagani] | |
| Presence of Soul (Japan) REVIEW | |
| Blinds (2008) | |
| Pressgang (UK, folk rock) REVIEW | |
| Mappa Mundi (1997) | |
| Presto Ballet (US, progressive/metal) REVIEWS | |
| Peace Among the Ruins (2005) The Lost Art of Time Travel (2008) Invisible Places (2011) Love What You've Done With the Place (2011) Relic of the Modern World (2012) The Days Between (2018) |
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| Pretty Reckless (US) REVIEW | |
| Light Me Up (2010) | |
| Bobby Previte (US) REVIEW | |
| Coalition of the Willing (2006) | |
| Mike Pride (US) | |
| I Hate Work (2021) | |
| Spike Priggen (US) REVIEWS | |
| Stars After Stars After Stars (2005) There's No Sound in Flutes! (2006) |
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| Primal Scream (UK) REVIEW | |
| More Light (2013) | |
| Prince (US) REVIEW | |
| Chaos & Disorder (1996) | |
| Andrea Priora (Italy, electronic) REVIEW | |
| Beyond My Ice (1999) | |
| Procosmian Fannyfiddlers (Norway) REVIEWS | |
| Return of the Sweaty Owl (2003) Interference Number 9 (2012) |
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| I Profeti (Italy) REVIEW | |
| Era Bella (1971) | |
| The Proles (US) REVIEW | |
| Good in Black & White (2005) | |
| Chuck Prophet (US) REVIEWS | |
| The Hurting Business (1999) Night Surfer (2014) |
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| Proscriptor (US) REVIEW | |
| The Venus Bellona (1995) | |
| Prosser (US) REVIEW | |
| Prosser (2006) | |
| The Provenance (Sweden, progressive) REVIEWS | |
| How Would You Like to Be Spat at (2005) Red Flags (2006) |
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| Providence (Japan, progressive) REVIEWS | |
| And I'll Recite an Old Myth From... (1989) There Once Was a Night of "Choko-Muro" the Paradise (1996) |
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| Prowlers (Italy, progressive) REVIEW | |
| Sweet Metamorfosi (1997) | |
| Prydwyn with Quickthorn (UK, folk rock) REVIEW | |
| Solitude Owes Me a Smile (2009) | |
| Psychic TV (UK) REVIEWS | |
| Hell is Invisible/Heaven is Her/e (2007) Alienist (2016) |
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| Psycho Lemon (France, psych) REVIEW | |
| A Mouse & John (2005) | |
| Psychomuzak (UK) REVIEW | |
| Send (1997) | |
| Publius (US) REVIEW | |
| Publius (2007) | |
| Alex Puddu & the Butterfly Collectors (Denmark) REVIEW | |
| Chasing the Scorpion's Tail (2004) | |
| Pugwash (Ireland) REVIEWS | |
| Almanac (2002) This Could Be Good (2005 EP) Play This Intimately (as if Among Friends) (2015) |
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| Puppet Show (US, neo-progressive) REVIEWS | |
| Traumatized (1998) The Tale of Woe (2006) |
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| Purple Mountains (US) | |
| Purple Mountains (2019) | |
| Purple Overdose (Greece, psych) REVIEWS | |
| Reborn (1999) The Salmon's Trip - Live [CD version] (2000) The Salmon's Trip - Live [LP version] (2000) |
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| Pip Pyle (UK) REVIEW | |
| 7 Year Itch (1998) | |
| Pythagoras (Netherlands) | |
| Live at Pulchri (2019) | |