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| I Monster (UK) REVIEW | |
| Neveroddoreven (2003) | |
| I.E.M. (UK, progressive/psych) REVIEWS | |
| I.E.M. (1998) I.E.M. Have Come for Your Children (2001) Arcadia Son (2001) |
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| I Was a King (Norway) REVIEW | |
| Old Friends (2010) | |
| IQ (UK, neo-progressive) REVIEWS | |
| Ever (1993) Forever Live (1996) Seven Stories Into 98 (1998) Dark Matter (2004) Frequency (2009) The Road of Bones (2014) |
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| Ianva (Italy) REVIEWS | |
| Italia: Ultimo Atto (2009) La Mano di Gloria (2012) |
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| Ice Cream Hands (Australia) REVIEW | |
| Broken UFO (2002) | |
| Lia Ices (US) REVIEW | |
| Grown Unknown (2011) | |
| Icky Blossoms (US) REVIEW | |
| Icky Blossoms (2012) | |
| Idaho Falls (US) REVIEW | |
| The Spark (2010) | |
| Ideamen (US) REVIEW | |
| May You Live in Interesting Times (2009) | |
| Idlewild (UK) REVIEW | |
| Everything Ever Written (2015) | |
| Billy Idol (UK, hard rock) REVIEW | |
| Devil's Playground (2005) | |
| Iguanas (US) REVIEWS | |
| Plastic Silver 9-Volt Heart (2003) If You Should Ever Fall on Hard Times (2008) |
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| Ralf Illenberger (Germany) REVIEW | |
| Red Rock Journeys (2011) | |
| Illya Kuryaki & the Valderram (Argentina, funk) REVIEW | |
| Versus (1999) | |
| Natalie Imbruglia (Australia, pop) REVIEWS | |
| White Lilies Island (2001) Always Never (2002 b-side) |
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| L'Impero delle Ombre (Italy, hard rock) REVIEW | |
| I Compagni di Baal (2010) | |
| In the Cage [a.k.a. Genesis In the Cage] (UK, progressive) REVIEW | |
| Two Sides Live (2002) | |
| In the Labyrinth (Sweden) REVIEW | |
| Samas Antaral (2018, recorded 1973-2017) | |
| Incognito (UK) REVIEW | |
| Tales From the Beach (2008) | |
| Incredible Moses Leroy (US) REVIEW | |
| Electric Pocket Radio (2001) | |
| Incubus (US) REVIEWS | |
| Light Grenades (2006) If Not Now, When? (2011) |
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| Indeed (US) REVIEW | |
| Inter-Dimensional Space Commander (1996) | |
| Indesinence (UK, metal) REVIEW | |
| III (2015) | |
| Instant Flight (UK) REVIEW | |
| Endless Journey (2008) | |
| Instruments (US) REVIEW | |
| Cast a Half Shadow (2006) | |
| Internal Tulips (US) REVIEW | |
| Mislead Into a Field By a Deformed Deer (2010) | |
| Interpose+ (Japan, progressive) REVIEW | |
| Interpose+ (2005) | |
| Into the Abyss (Germany) REVIEW | |
| Cosmogonia (1998) | |
| Intocable (US) REVIEW | |
| Diez (2005) | |
| Invisible Rays (US) REVIEW | |
| Salute the American Popular Song (2009) | |
| Iron & Wine & Ben Bridwell (US) REVIEW | |
| Sing Into My Mouth (2015) | |
| David Isaacs (US) REVIEW | |
| Timebomb (2000) | |
| Jason Isbell (US) REVIEWS | |
| Southeastern (2013) Something More Than Free (2015) |
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| Kenneth Ishak (Norway) REVIEW | |
| Silver Lightning From a Black Sky (2007) | |
| Isidore (US/Australia) REVIEW | |
| Life Somewhere Else (2012) | |
| Islands (Canada) REVIEW | |
| A Sleep & a Forgetting (2012) | |
| Isobar (US, progressive) REVIEW | |
| Isobar (2020) | |
| Billy Iuso (US) REVIEW | |
| Trippin' (2011) | |
| Howard Ivans (US) REVIEW | |
| Pillows (2013 b-side) | |
| Ixion (Netherlands, neo-progressive) REVIEW | |
| Talisman (2006) | |
| Iza (Belgium) REVIEW | |
| Picture of You (2010) | |